Here is a question posed more towards the US readers. Do you
remember the good old days of watching British comedies on PBS? There was a
time that I would tune in and there was so many great series to choose from. I
started watching British comedies on PBS (Public television) in the mid-1980s. When
I started to watch it, there would be a steady stream of programs from the
1970s along with newer series from the 1980s. Then, when we got into the 1990s,
there would still be those series from the 1970s but also the 1980s and the
1990s. These were the glorious years to become British television fans. These programs seemed important because they
were treated as great programs. Now, I can only speak for the PBS station in my
area, KTCA (now TPT), but things have changed quite a bit. The question is what
has changed?
Back in the 1990s, a lot of great series were coming out of
the UK and finding their way over here. Programs such as Mr. Bean, The Vicar of
Dibley, The Piglet Files, Keeping Up
Appearances, The Brittas Empire,
Father Ted, Absolutely Fabulous, Men
Behaving Badly, and As Time Goes By were
great series that made their way over here. Of course other series from the
1980s were still being made into the 1990s, these series listed above started
in that 1990s. I feel out of touch because it doesn’t feel to me that we are
getting the same type of series now as we were getting on PBS in the 1990s. Why
is that? I have no hard factual answers to this (who needs facts?). I do have
some theories though. One series made me think about this subject and it was
none other than As Time Goes By.
Series 4 Episodes 1-6
TX 5/01/95-2/04/95
Anyone who knows me well may be surprised that I am writing
an article about this series or for that matter has any copies of this series
in my collection. I have gone on for years telling everyone I could that I am
not a very big fan of this series. In fact, it would always piss me off when I
would tune in to KTCA at 10:30 to watch something very probably like Are You Being Served? (probably to tape
it for my own collection) and tune in in time to watch the end of the episode
of As Time Goes By running previous
to it and catch that horrible theme music. I couldn’t tell you how many
recordings of any Britcom I taped off-air that would have the last 5 minutes of
As Time Goes By because I wanted to
make sure I wouldn’t miss the opening of the series I did want to record. I
also have commented (rather rudely) that all the spines of the NTSC VHS
releases had pictures of Judi Dench from each year of the series showing her
progressively getting older. Thus, I renamed the series ‘As Judi Dench Gets
Older’.

I am true and true a fan of British television. When I had
the opportunity to acquire this series, I did because I wanted to have it in my
collection. It also sat on my shelf in my collection for many years doing
nothing but gathering dust. I started this malarkey of randomly picking
something from my collection to watch years before I started to write this
blog. Back in December of 2007 I thought it would be fun to randomly pick
something to watch on New Year’s Day but as a marathon. A lot of other stations
such as Sci-Fi was showing marathons of shows (Sci-Fi always showed The Twilight Zone) and I thought I
could pick something cool from my collection and do the same thing. Since I was
randomly picking it, who knows what treasure I would choose to watch. Maybe one
of the Quatermass serials or Doomwatch,
it could even be Doctor Who. For my
inaugural marathon I picked…..As Time
Goes By. I was a little disappointed. I wasn’t a big fan of the series and
wanted to pick something else but didn’t. If I kept randomly re-picking series
until it’s something I loved, then what’s the point of doing this? So for that
first year I watched Series 1-3 of As
Time Goes By. Guess what? I really liked it. I should have known I would.
It was written by Bob Larbey who wrote along with John Esmonde some of the
greatest and most favourite British series of all time such as The Good Life, Please Sir, Ever Decreasing
Circles, Brush Strokes, The Other One, and Mulberry. On his own he also wrote A Fine Romance (also starring Judi Dench). For some reason I thought the series would be
overly sappy. I don’t know why that is but I did. What I ended up seeing was a
series that was written very smartly with a great use of play-on words. It’s actually
dialogue I could see Tom Good using. Why would have expected anything else from
Bob Larbey?
As Time Goes By
is about Lionel Hardcastle and Jean Pargetter who were a couple in 1953 but
when Lionel was sent to Korea, the two lost touch. Years later, they find each
other again as Lionel needs a secretary and get one from Jean’s business. They
eventually begin their relationship again. Lionel had been divorced from his
wife and he is a writer. When they met again, Jean’s husband passed away and
she has a daughter that works for her named Judy. By the time we get to Series
4, Lionel has moved in with Jean and Judy had been dating Lionel’s book
publisher Alistair. Things go very rocky between Alistair and Judy as she finds
him very pretentious. Lionel is at work
on his mini-series he is writing for Hollywood, ‘Just Two People’.

Series 4 is 10 episodes in length. It just goes to show how
popular the series was with the British public (and in the US) as most comedy series
are just 6 episodes per series. This article only covers the first 6 episodes. The series starts with Sandy (an employee of
Jean’s business) who gets in a fight with her boyfriend and moves in with Jean,
Judy and Lionel. Lionel is a bit prickly as it is but when Sandy moves in, he
is upset because the room she ended up staying in was going to become his own
study. At the end of Series 3, Jean gets
Lionel’s very attractive secretary Daisy fired because Jean is jealous of her.
Instead Jean finds a new secretary for him. The rather frumpy Mrs. Flack. Not
only does she talk non-stop to make it hard for Lionel to get any work done,
she constantly re-arranges everything in the house so no one can find anything.
Neither Lionel nor Jean has the courage to sack Mrs. Flack because she is not a
bad person, just rather annoying. Finally in Episode Three, Jean has an outragouse plan to get Mrs. Flack to
quit but there is no need. She quits first for personal reasons.
After all the years of Jean and Lionel having known each
other and having a lost connection, Lionel proposes to Jean on one knee. Of
course that knee locks up. Lionel and Jean disagree about whether they are
engaged or not. Jean believes engagement is for young people, Lionel sees it as
the time before a couple gets married is simply an engagement. There are some
great eccentric characters in this series. Jean’s sister-in-law Penny plans on
staying with Jean and Lionel for a while. Remember Sandy is already staying
there too. Penny is upset because her husband Stephen is having an affair with
his nurse Miss Breeze. Stephen is not having an affair with Miss Breeze. Miss
Breeze is helping him arrange a surprise anniversary part for Penny and him. It
is easier for him to keep the surprise if Penny continues to believe he is
having an affair. It makes an odd sort of sense…..I guess. Even stranger than
those two are Lionel’s father Rocky and his wife Madge. Both of them are older
yet very free spirits and very well off. In fact, in Episode Five, Rocky tells Lionel his intention on giving his house
to him. This prompts Lionel to feel more secure with his own life as he now has
something offer to Jean which is why he proposed to her.

One area that isn’t going to well for Lionel is his
mini-series. The mini-series is about how Jean and he met and their
relationship. Hollywood did not like the
scene where Jean and Lionel first made love. Lionel, who is not the most
romantic person in the world, had a lot of trouble re-writing it. First he was
trying to do so while Mrs. Flack was still in his employment and she helped him
in no way with the exception of telling him to make sure his socks stays on
him. Then when Daisy re-joins him after
Mrs. Flack left, he finds it hard to write such a personal scene while such a
young beautiful person is in the room. Finally, he turns to the only person who
would be able to help him write that scene, Jean. After all, she was there. Mike
Barbosa, one of the producers, flies in from Hollywood to look at Rocky’s house
as it seems like a suitable place to film part of the story. There Mike also
explains some of the things he wants added to the script such as scenes of when
Lionel was a boy. Lionel is absolutely not amused.
I will tackle Episodes 7-10 next week and with that I will
write a little bit more of my thoughts on the series. I wanted to touch on the
question I posed earlier: are we out of getting new heavy hitting Britcoms for
PBS? Now this isn’t some academic research I am doing or a scientific study.
This is a question I have been thinking about and it is all entirely my own
opinion.
Back when I was really watching these programs in KTCA, it
was a ritual. After a long day at school or eventually work, the one thing I
could look forward to was sitting down starting at 10pm and watch some British
television. It really was like travelling through a portal. Everything about it
was special. It made an informative impact on my youth. When I was in Catholic
grade school, I felt I was being rebellious by watching Bless Me Father. I remember loving the décor of the Parkinson’s
house in Butterflies. I also
remember being intimidated by Yes Minister because I
thought the humour was too adult for me as a child. These programs formed my
own sense of humour with biting sarcastic wit of Black Adder & Basil Fawlty
and the wonderful play on words satirical humour of ‘Allo ‘Allo! Has this all changed? Is the BBC making programs like
this now?
The question is, how much does this have to do with changes
in my own life? In November I am planning a nice-size article on my interest in
tape trading. That is basically swapping recordings of programs for other ones
I need to finish a collection. I was an avid video recorder and it was a
serious art to me. Taping from the TV station itself is called an ‘off-air’
recording. That is the best quality you could get at one time other than
breaking into the TV station and getting copies directly from the master tape
or getting the commercial release. Unfortunately, back in the mid to late 1980s
there weren’t always commercial releases of these wonderful programs so for me
to get the programs I wanted, I needed to record these programs off the air on
VHS at SP speed. That meant the best possible quality I could get.

As the time went by (see what I did there?), I ended up
recording all the stuff I wanted. In fact, by the mid-1990s, I had enough
friends around the country and in the UK and Australia who would send me stuff,
that I would still watch British television at 10pm every night but not KTCA.
It would be the stuff I would get from my friends which would not be seen on
the air on a PBS station (in my location) such as Only Fools and Horses, Till
Death Us Do Part, Men Behaving Badly,
Steptoe and Son plus non-comedies
such as the Quatermass Serials and Doomwatch
among many other things. To be honest, when I would check in to see what was
being shown on KTCA, it honestly seemed like an endless loop of Are You Being Served?, The Vicar of Dibley and my good friend,
As Time Goes By. Some programs such as ‘Allo ‘Allo! was incomplete on the PBS run. BBC Worldwide Americas
never got the rest of series beyond Series 5 for years. Only within the last 10
to 12 years, they got the rest of the series with the exception of Series 6
which is still not available. Of their list of episodes they offer to PBS
stations, they say this about Series 6:
“SERIES 6
*Program note: Due to extraordinarily high residual costs,
this series is not sold in syndication. Our screenings indicate that these
episodes may be skipped by viewers without disruption to their viewing of the
series overall. In the event that these may be re-negotiated sometime in the
future, the program numbers that would have occupied in our library (episodes
#55-62) have been left set aside.”
I wonder what that is about especially as Series 6 is now
out on DVD. Nevertheless, without the whole series available, back in the
1990s, I would skip it and watch my PAL copies of the series from UK Gold a
friend in the UK sent me. What about
other people? Some of these series were very difficult to watch unless your PBS
station ran them but then a little shiny disc came out called DVD….

For many people, the British series shown on PBS were almost
the only way people got to see programs made by the BBC (yes, I know cable
networks like A&E made a substantial chomp into that) but suddenly programs
that never made it over here on TV before were showing up on DVD. Studios were
releasing stuff that some people may have only heard about. Programs such as Survivors, Timeslip, or Sapphire and
Steel which never was seen by many people in the US before were readily
available for purchase on DVD. Series that had way too many episodes for a
realistic release on VHS (apart from Doctor
Who) became available and took up little space such as Lovejoy or All Creatures Great & Small. More and more people were creating their own libraries
and yet KTCA seemed to be always showing the same stuff.
Now, there is nothing wrong with showing the classics over
and over again. Not everyone who watched Britcoms on KTCA wants to own them. These
people know that they will see As Time
Goes By once a year or perhaps every other year. Are there any new comedies
exported for PBS? The studio bound situation comedy on the BBC seems to be
disappearing more and more. There have been some like Reginald Perrin. It seems like a lot more of the series tends to be
comedy but have foregone the studio audience or laugh track. Programs like Beautiful People seem to be a good
example of it. It has been said to me before that BBC Worldwide Americas will
basically offer any program to PBS stations that they want. If the program the
PBS station wants is not on the list of offered programs, they would need to
pay for dubbing, converting and shipping of masters to the US. That is real
expensive. I can’t imagine a station calling up to make a request to run Hancock’s Half Hour and pay for
everything that is required to make it happen. Here is a list of 21st
century Britcoms available from BBC Worldwide Americas for distribution:
After You’ve Gone
2007-2008
As Time Goes By
1992 - 2005
Black Books
2000-2004
Coupling
2000-2004
Last of the Summer
Wine 1973-2010
Lead Balloon
2006-2011
My Hero 2000-2006
The Old Guys 2009
– 2010
One Foot in the Grave
1990-2000
Outnumbered
2007-2011
People Like Us
1999-2001
Red Dwarf 1987 –
2012
Rev 2010 – 2011
There are a lot of series listed above who have stars in
them that were bigger stars in other classic PBS imported series. Such as The Old Guys have Clive Swift from Keeping Up Appearances and Roger Lloyd
Pack from The Vicar of Dibley. I
have seen an episode of The Old Guys,
I hope I caught it on an off episode. As I write this article, KTCA is showing Ballykissangel on weeknights. Is the broadcasting
of Britcoms finished on PBS stations?

Something really interesting has happened this year in
Washington DC. WETA has devoted an entire channel to British television called
WETA UK. It is what so many of us hoped BBC America was going to be yet was so
disappointed with it as the years have gone on. My guess as to why a PBS could
devote a whole channel to British television goes like this: when stations
changed over to HD, they had extra bandwidth to use to accommodate the size of
the HD signal. Channels could use that signal to make their own channels higher
quality or they could split their signal and have up to 4 other channels. A lot
of channels do that. TPT (formerly KTCA) has 4 other TPT channels. If you are in
the Twin Cities, this is why KSTP also has KSTC. So for WETA, they have 4
stations. WETA, WETA HD, WETA Kids, and WETA UK. British television is not
cheap. I hope they can keep this up. I want to move there so I can watch it and
support it. Now, of course I can support WETA UK if I wanted as I could any
other Public Television Station but even I think it is a little much to pay for
a station that I have no way of watching plus owns most of the programs they
are showing on DVD/Blu Ray.
What shows are they airing? It’s interesting as basically
all the shows that BBC Worldwide Americas offer to PBS stations are on this
station. There are some things that they don’t offer which is on here such as Foyle’s War, Prime Suspect, and Sherlock
Holmes. I would assume that the Sherlock Holmes referenced would be the
Granada Jeremy Brett version? To stay on the original topic of the article, not
many of the shows are from the 21st century and most are classics
with some series being a cross-over from the 20th to 21st
century. Stuff from the 21st century consists of Born and Bred, My Hero, Outnumbered, Last of the Summer Wine, Doctor Who, Antiques Roadshow, Monarch
of the Glen, Lark Rise to Candleford,
Prime Suspect, Foyle’s War, Primeval, Waking the Dead, MI-5, Life on Mars, Hustle, New Tricks, Coupling, Black Books, and Red Dwarf.
WETA UK must have got a deal from BBC Worldwide Americas to
get all of this programming and launch its own channel. If this was the heyday
of British comedies of PBS back in the 1980s, the cost would have been
impossible for such a station ever to exist. I applaud WETA and I hope this
lives on for a very long time. TPT will never do a station like this. It’s a
shame but not unexpected. At least I have hours and hours of programming I can
watch for myself. To get a sample of what WETA UK is showing, please find below
the schedule for its July programming. Long Live WETA UK!
Update…..
It seems almost like someone passed away. According to The
Guardian in the UK, BBC Television Centre has been sold for £200 million. It has been bought by Stanhope plc.
Television Centre was opened in 1960. The Guardian says the 14 acre site will
be empty by 2015. Parts of the site was given a Grade II status by English
Heritage in 2009. The Guardian posted some reactions by people on Twitter such
as this nice one: "The BBC without BBC Television Centre is like the Royal
Family without Buckingham Palace. Sad times," said @CameronYardeJnr.”.
The good news is
that the site will still be used for broadcast/production services and also
will still have a BBC presence. BBC
Studios and Post Production will still operate in there including the famous
Studio 1. This could have been a whole lot worse.
In May there was
a great program about the place called Tales
of Television Centre. It is a nostalgic and wonderful program with many who
worked there coming to terms that a significant chapter to British television
is about to close. Check out the program if you have a chance and check out my
article I wrote about the program Tales of Television Centre.
Next week: We continue on with the last four episodes of
Series 4 of As Time Goes By. We look
at the episodes and a little more background information on this wonderfully
classic series.
Have a great
week!
Do you have feedback, article requests or want to talk about a program but do not want to leave a public comment? Feel free to drop me an e-mail at FTA13867@gmail.com