Showing posts with label Beasts. Show all posts
Showing posts with label Beasts. Show all posts

Saturday, December 3, 2011

Classic Nigel Kneale: Beasts - During Barty's Party


I have written before about how I have thought some of Nigel Kneale’s work is sometimes hit or miss. I think I was badly burned when I last watched Beasts and I looked at the episode Buddyboy. There were so many components to that story that were so polar opposite of each other, it was really difficult for me to enjoy it or understand how it should fit together. I thought it was such a stretch. That was last year and now I am back to take a look at the Beasts episode, During Barty’s Party. This was such an enjoyable viewing experience for me. There is so much to like about this episode and to me, classic Nigel Kneale. I will explain exactly what I mean by that statement later in this article.


During Barty’s Party TX: 23/10/76
On Wikipedia the description for this episode in their Beasts episode guide is simply, “a middle-class couple's life becomes overturned by rats.” Although technically it’s true you could also say the description for the 1939 MGM classic, The Wizard of Oz is about a girl who gets hit in the head and has a strange dream. My point is this:  just like The Wizard of Oz, During Barty’s Party is something really special.

The episode starts out on a shot of a yellow car with its door open. Then the screaming begins. So much so that it wakes up Angie Truscott from a mid-afternoon nap or was she dreaming about screaming? There is something wrong with her. Angie is extremely nervous. Something has happened to her in the past though we never know what it is. She doesn’t like to be alone and it appears her condition is getting worse. Her husband Roger comes home for the day from work. They are both middle-aged and live in a nice suburban house. Almost immediately when he gets home, Angie alerts him to the fact that they have a rat. A rat is chipping away underneath the floor boards.
It is clear that Roger has needed to be patient for a while with whatever was happening to Angie. It is not that Angie is annoying or unreasonable; I think it is more to do with Roger being such an overly-rational person that he just does not have the patience for that type of illness because he doesn’t understand it. Angie tells him about her day and how she did go out for a while. She also tells him about her nap she took and woke up to hearing screaming.

Roger is not spooked about rats the way that Angie is and handles it like a “man”. He’s going to show the rat who is the boss in the house! The episode takes an interesting turn when Roger gets a phone call from Peter Newell. Peter is a business associate with Roger. Angie can hear the phone call when Peter tells Roger about reports of a large pack of rats in Angie and Roger’s area. Apparently they are roaming around and people are being told to stay out of the rat’s way.  Freaked out, Angie puts on the radio and a popular show is on called Barty’s Party. It becomes clear that there is more than one rat under the floor, in fact a few of them. Even Roger is starting to get a little freaked.

I think what is interesting about this episode is that the roles become reversed between Angie and Roger. In the beginning Roger is the one speaking common sense about the situation. He knows that rats are not going to roam on open roads in public and whatever is happening to the Truscott’s is Angie’s imagination. Clearly it is just a small rat problem, right?  As the episode progresses, the Truscott’s hear more reports on Barty’s Party about other people who have seen these rats and all of the sightings have been right by where the Truscott’s live. Although Angie is terrified of basically everything through the episode, it is her that starts to realize what is happening. She believes these rats are super intelligent rats. Angie demonstrates it by making noises on one part of the floor where the rats follow the sound to that area and begin gnawing away but then she makes noises on another area and you can hear them run over to where she is making noise and they start on that area. It is clear that these rats are not content to do anything but get to them. The more Angie pieces the evidence together, the more Roger loses it. The moment, for me, where Roger has become as frightened as Angie is when Angie calls into Barty’s Party. She gives them her name and they put her on the air with Barty. At first he doesn’t believe her but as she tells him what is going on, her terrified voice is enough to get Barty to believe her. As he asks her for her address on the air to get police over to them to help, the phone service goes out. The rats chewed through the phone wires! Angie and Roger are horrified but luckily Barty says on the air that even though she is cut off they will get police to figure out where she is because they have her name and can find her: Angie Prescott. Her name is actually Truscott. Barty got it wrong and they will never find them.
Throughout the episode, the sounds of rats get increasingly louder and suddenly I realized that the sound of the rats is over powering. Just as Angie and Roger are about to try and escape, their neighbors the Gibson’s come home. We never see them; this all happens from outside of the Truscott house. As Angie and Roger speak with them from their window, they have a moment of happiness thinking that everything was alright. Perhaps their imagination is getting the better of them plus the sounds of the rats are gone.  Suddenly, we hear the sounds of rats attacking the Gibson family. All of them and killing them all. Ultimately, Angie and Roger hear the rats come back and finally we hear the rats attacking the Truscotts.

Beasts is an interesting premise for a TV series but was one that Kneale was always fascinated with exploring. In the DVD notes for this series Andy Murray says this premise is “civilized man in conflict with the primal, animal side of existence”. This works extremely well in During Party’s Party. I think why it works so well is that it is a very straight forward story. It is exactly what the Wikipedia entry I listed above says except how the story is executed is what makes this piece very noteworthy.

I also said this is classic Nigel Kneale. I don’t mean that in terms of necessarily a specific style. This whole episode succeeds based on the two actors we see on screen, Elizabeth Sellars and Anthony Bate, making everything believable. The whole episode is about a massive rat infestation yet we do not see one rat on screen. The whole thing is done based great sound effects and the acting of the two characters. To me, I think this is very similar to what Kneale had to write in the very early days of television. I even note it in my article for episodes Five and Six of Quatermass II. It was a live production and the stuff that would be visually difficult to do in a live low budget setting was done off screen and it was up to the actors to convey the threat on screen. Here we have the very same situation. Things we see off screen are the deaths of the Gibson family. It is horrible but we never see it. We only see the Truscott’s reaction to this. The closest thing we see to a rat is the scene where they are chopping their way through the back door. It almost looks like teeth chomping through but it isn’t; it adds to the frenzy the episode reached. I think the creepiest visual for me is the car at the beginning of the episode. We only see it in the first shot yet Angie looks out the window and talks about it a few times. She mentions how it hadn’t moved the entire day and now it is night. While looking out the window she mentions the moonlight shining off it and she still see the car door just hanging open.  Maybe it is creepy for me because I knew those screams were not something Angie dreamed about at the beginning of the episode. Plus there is something creepy about something that looks normal but you know it isn’t.
This is the second time I had seen this episode and I really enjoyed it more the second time through. The first time I had no idea what the episode was about and wasn’t sure if I was going to see one of those episodes where maybe the husband or the wife was going to go mad and murder the other spouse. I had no idea it would be about rats. Although it takes it’s time to build itself up, the episode moves really quickly. I thought I was only about five minutes into it but when I looked at the clock, twenty-five minute had passed. As I mentioned above, although Angie is terrified of so much throughout the episode she is the one who pulls her and Roger together to actually try and escape from the house. When the problem seemed to be just one rat in the house, Roger was very much in control and was losing patience with his wife for overreacting. Once he realized that Angie was right about the rats, he crumbles into hysteria. Angie tries to get them to leave but he is too frightened to even move. The last shot of the episode the empty room with only the sounds of the rats and the Truscotts screaming in the background.

If you are good at recognizing voice (or good at reading closing credits) you will notice that the voice of Peter Newell is John Rhys Davies. Of course, Davies has gone on to have a tremendous film career being in some of the Indiana Jones films, the James Bond film The Living Daylights and the TV series Sliders plus so much more. The episodes on the DVD set must be presented in production order although I do not see it listed as such anywhere. For years I thought During Barty’s Party was the last episode of the series but according to other sources such as the Kaleidoscope ITV Drama Guide, it is listed as the first episode. Those transmission dates are from the HTV West Region broadcasts but I think it was similar in most areas. It’s too bad because I think this would be an amazing way to end to a great series. Then again, it is also a chilling and strong start to a new series too. I guess it works either way.
Of course I have a strange fascination with production slates. As I have said before, Network DVD always did it the best when they used to include the slates before each episode on their DVDs. Sadly it’s a feature they no longer do. That said, for those who care, here is the slate:

Next week: As I move into the Christmas season, I devote all of the programs I watch during December to Christmas themed episodes. I really do not collect American television but I am a big fan of animation. I will look at episodes of Family Guy next week. In particular I will write about A Very Special Family Guy Freakin’ Christmas but also go on a rant about their strategy of releasing DVDs.

Friday, August 27, 2010

Beasts - Buddyboy!

There is a belief held by some fans that all of Nigel Kneale’s works are great. I am about to dispel this notion. My evidence? A little episode of Beasts called Buddyboy! By this time, Nigel Kneale had a long and successful association with television. Obviously I need to mention the Quatermass serials but there was so much more that he had done by this stage. By the 1970’s, Kneale’s relationship with the BBC had soured quite a bit. One of the losses from this relationship was the fourth Quatermass serial but Kneale was looking at other outlets to continue bringing his type of stories to viewers.

In 1975, ATV asked Nigel Kneale to write for their serial Against the Crowd. What he came up with was the play Murrain. The program was very much in the typical style of Kneale’s work where it is left up to the viewer to interpret for themselves what they think is really going on. Nigel Kneale worked with Producer Nick Palmer on this and Kneale was very happy with the results. So much so, talks almost started immediately with ATV to collaborate on more drama. This eventually evolved into the Beasts. As Andy Murray wrote in his viewing notes of the DVD release of Beast, the series would revolve around the theme of “civilized man in conflict with the primal, animal side of existence”. Each of the six episodes would be done in a completely different style and would deal with paranormal activity or some other phenomenon.

Buddyboy TX: 26/10/76

The episode I randomly chose was Buddyboy. The episode plays out as if someone reached into a bag and pulled out random ideas and locations then tried to craft a story out of it:

(reaching into a bag) Hmmmm…. Let’s see, we are going to write a story based around, a theatre that shows porn, some of the theatre staff wants to get into the business of shooting porn movies. Porn Barron wants to expand business and looks to buy bigger place to turn into theatre. Decides to buy old, run down dolphinarium. Oh, wait, it’s haunted. Haunted by the ghost of a dolphin named Buddyboy.

That’s it. I have to give Kneale full credit for taking the most abstract plot elements and try to string them together and create a story. I am not sure what happened with the story and to be honest, after a while I didn’t really care. The story is about Dave, who owns a theatre that shows porn movies, wants to expand his business and has a possible location to look at for expansion. He meets with the current owner Hubbard. Hubbard owned the place which was a dolphinarium. There was an extremely smart yet difficult dolphin called Buddyboy. Buddyboy died mysteriously. Although Hubbard insists of no wrong doing, he is haunted by the clicks and whistle of a dolphin. Hubbard is played by Wolfe Morris. He is quite convincing as a man who is tortured. He looks like he will explode at any moment. He shakes and sweats; his eyes are bulged out and blood shot. I felt myself in pain every time he was on screen!
While Dave is looking at the property, he finds that a young woman named Lucy is squatting in the dolphinarium. Lucy actually was someone who worked with Buddyboy. There is something not quite right about Lucy. She is mystified by Buddyboy, almost worships him and she misses him. Clearly something weird is going on as Hubbard immediately hates the sight of Lucy and the feeling is reciprocated. There is a backstory we never really get about those two. But then, suddenly, we hear the sound of a dolphin whistling and clicking. Very scary……

Eventually, because Hubbard wants to unload the property so badly Dave lowballs him on the price. Not only does Dave get the dolphinarium, he also somehow gets Hubbard’s apartment. Now this is probably explained in the episode but I may have lost interest by this point. I am not sure why Dave also gets the apartment but maybe he is just holding onto it until after Hubbard returns from his trip? As the episode plays out, Dave and Lucy get a lot closer. It certainly has nothing to do with love but more a relationship sprung out of convenience. As they stand in what used to be Hubbard’s bedroom (as they were able to keep all the furniture), they decide to make love which leads to one of the most bizarre sequences of television I have ever seen.

Dave rips off her shirt and brings her to bed. We cut to a close up shot of Dave’s face mimicking the act of having sex but has the most cheesy-pleasured looking smile on his face. Then, we have a close up of Lucy. Her face is very unhappy, almost unsettling. While she is lying there, the shot is overlaid with her back in the dolphinarium. She’s standing in different areas of the set, looking around. We hear the unmistakable sound of Buddyboy. Suddenly, she gets totally into it with Dave and passion ensues. After they are done, she goes to use the bathroom and starts running water to take a bath. The whole time Dave is going on and on about how he wants to expand the business and actually get her into the business in some seedy way. After she doesn’t answer him, Dave goes into the bathroom to check out what’s going on. He opens the door. I swear we were going to see Buddyboy in the bathtub looking back at Dave and that Lucy was Buddyboy the whole time! I had hoped for a big payoff to the last 45 minutes of dullness I had just endured. I wanted Buddyboy to not only be in that bath tub but pissed off. I wanted him to jump out of that tub and beat the shit out of Dave. Give me something interesting! Instead, it was just Lucy and she had drowned in the bath tub.

I have a very strange relationship with the series Beasts. I don’t think it is quite the masterpiece that some think it is but it is by no means bad television. The episode During Barty’s Party is exceptional. Kneale exhibits the same type of writing which made me such a fan of his. A lot of During Barty’s Party is explained to us from actions happening off screen and from the description the visuals are left up to us. It’s very similar to what I said in my article for Quatermass II, especially episodes Five & Six. Unfortunately for Buddyboy, I really have no idea what happened and the episode had no impact on me.

Hubbard said he never harmed Buddyboy, yet Buddyboy fell ill and eventually died. Part of the story is that Buddyboy was an arrogant dolphin and seemed to not like Hubbard. That being said, what happened to Buddyboy and was Hubbard directly involved? Was it the captivity which eventually leads to Buddyboy dying? I also didn’t like how some things were just shoe horned into the script almost for shock value. Early on in the episode, back at the night club/theatre, Dave’s associate Jimmy brings in an Usherette who he thinks would be great if they could start making movies with her. To prove his point, he has the Usherette take of her top and his topless as the camera just sits on that shot. I am not a prude. This just doesn’t feel right and it derails the story a little bit. Is this meant to show how different this world of night clubs is to our “normal” lifestyle? If so, they didn’t do a very good job with it. I know. PRUDE!

I watched this from the Network release of the entire series Beasts. It’s a two disc set and it is presently very nicely. Some of the stuff Network puts out isn’t always the best in terms of encoding but I think Beasts looks fine. Some of the masters tapes may not be in the best shape either and as something like Beasts is not exactly a big seller, I hardly would expect Network to commission any restoration. Though, Network has come through many times in the past for other releases such as Public Eye.

One of my silly fascinations is with Broadcast countdown clocks/slates. A slate is often a countdown clock which networks use as a way to cue the program they are about to air. It is an identifier of the series and the episode which will follow. I love them, think they are neat and have no idea how to explain any of this. I just like them. For a while, whatever they released, Network would leave the countdown clock on the episode on the DVD. It wouldn’t be presented as part of the episode when you would start an episode from the menu but you would know it was there because your DVD counter would not be at zero when the episode started. It would be maybe fifteen to thirty seconds in and all you would need to do is rewind the picture on the DVD and you can see the countdown clock. Here is a picture of it!

All of you who enjoyed Buddyboy, go on, right a comment below and let me know why it is good. What did I miss?

Next Week: I take a look at a series I really enjoy but hardly ever watch. In fact, there are still episodes I have never seen before and I think the one for next week is one of them. I look at The Vicar of Dibley and the apt title Summer especially as that is winding down for us. Also, please check back as I continue to write up my articles on Doctor Who Series Five!