
What on Earth is Supermarionation? It’s funny because Gerry Anderson throws around that term as if it is a way of filmmaking such as Cinemascope. Though, I suppose that is exactly what it is! Instead of filming television series using boring old wooden human actors, Gerry Anderson chose to create television series using wooden marionettes. OK, maybe not so wooden. The thing is that it is more than filmmaking; it is truly an art form. The first Supermarionation program was in 1960 with a program call Four Feather Falls and by the time we get to The Secret Service in 1969, the Supermarionation process was quite refined. The original supermarionated (if that is even a word) figure is, to me, was almost grotesque and creepy. They have big bulge eyes and over exaggerated features. The general reason for this is that the apparatus in the head that automatically opens the figure’s mouth to sync up with the pre-recorded dialogue was in its infancy and was quite large. By the time Gerry Anderson, or more accurately Century 21 productions, made The Secret Service the apparatus in the marionettes head was small enough to make the head be in scale with the rest of the body. This is one of the things which make watching The Secret Service so appealing is the miniatures of the cast and sets with all of its minute detail.


A Case for the Bishop
Basically, this is what the Secret Service is about: the series followed the adventures of Father Stanley Unwin, a priest who moonlights as a secret agent for an organization called B.I.S.H.O.P. (British Intelligence Service Headquarters, Operation Priest). Answering to a man known as "The Bishop", Unwin is partnered with Matthew Harding, who works as his gardener as cover for his espionage work (Wikipedia.2007). The first episode is about the the Healy KX20 mini computer being stolen from the UK government by Dreisenberg agents. Father Unwin is called into action to get it back with the help of Mathew. To be honest, this was a disapointing first episode for me. One of the hallmarks of a Gerry Anderson series is that sometimes when a character needs to switch a light on or is trying to open a door, we will see a shot of a real hand up close doing those things. As my wife and I call it, a “Real Hand Alert” because it is so intrusive to what we were just watching. It’s actually kind of charming and I understand the reasons for doing it. In the case of this episode of The Secret Service, this use of real people for certain shots go well beyond just a hand on the screen. I would say about 20% of the episode was real people walking around, lots of close ups of hands, and real buildings. Real cars drive up and down real streets as well as real airplanes are in the…er…..real air. My thought, as I was watching it, was why bother with the marionettes? You might as well just make a TV series with live action people. Well, Gerry did do just that later that year with UFO but that’s another story. The plot for this episode was uneventful and was not as interesting as I had hoped. I was not interest in what the Dreisenberg agents stole and by the time they were trying to escape, I was hoping they would just so the episode would end. As that episode ended, I was a little concerned about watching the second one.
A Question of Miracles

I viewed these episodes from the A&E NTSC R1 DVD set that was released in 2003. I personally have enjoyed the quality of the all of the Gerry Anderson releases. The film looks in good condition and the sound is crisp. I know that The Thunderbirds have been released on Blue-Ray in the UK but I am not on the HD bandwagon yet. I have an HD TV but do not plan to get Blue-Ray for some time.
Next week: Frankenstein (1931) Universal. Sourced from the Legacy Collection DVD set.
If you want to know more about The Secret Service, check out these links:
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